Today we’d like to introduce you to Jordan Page.
Hi Jordan, so excited to have you with us today. What can you tell us about your story?
I made my first movie when I was ten using my mom’s iPhone 2 and iMovie app. It was more like a trailer for a horror movie I envisioned titled “One Open Door.” I was hooked from the second forward.
I moved to Los Angeles out of high school to attend Cal State LA, where I was recruited for soccer. Once in LA, I began to reach out to artists I followed on SoundCloud, offering to film their shows to get my foot in the door. This is where I met DJ Fu, who was a producer for Ear Drummers, a label under the Interscope banner. Fu was producing for Steven Canon and Lil Xan, and we all hit it off pretty quickly. I was invited to go to the SXSW festival with them to film a V Log. The invitation turned into a crazy weekend of filming not only for Steven and Xan but for the album release concert for Mike Will I Made it as well as Rae Sremmurd and Two Chains.
From there, I became the in-house videographer for Lil Xan and his manager Stat Quo, a former Shady/Aftermath Artist. I filmed and edited Xan’s video for Slingshot, which blew up and had close to a million views in less than a week.
After this, I just kept meeting industry folks, which led to some incredible opportunities like filming national tours, festival promos, and music videos featuring artists like Trippie Redd, Diplo, Uno the Activists, and the list goes on.
Today, I’ve racked up over 400 million views across my projects. I collaborate with several labels and festivals, such as Atlantic, Mad Decent, Insomniac, EDC Festival, and Sony. I have also ventured into podcasts, filming for the Lade Show, Lamar Odom’s podcast, The Lo. and The Dodger Nation channel.
We all face challenges, but looking back, would you describe it as a relatively smooth road?
It hasn’t been a smooth ride, but that’s what makes it so memorable. The tour life might seem glamorous from the outside, but living on a tour bus can get old really fast. I remember one incident during the Xanarchy Tour when our bus was broken into at the Detroit show. It was a nightmare – all our luggage was stolen, including my hard drives, camera gear, passport, and even my clothes. That was a tough setback to bounce back from.
However, if I had to pinpoint the biggest challenge I’ve faced, it would undoubtedly be the COVID-19 pandemic. It hit the entertainment industry hard, and everything came to a halt. That downtime forced me to reevaluate and adapt. I decided to channel my energy into my education and took the opportunity to really concentrate on school. I transferred to San Diego State and dedicated myself to finishing my degree. In 2022, I proudly graduated with my Bachelor of Science in Television, Film, and New Media production.
Through all the ups and downs, these experiences have taught me resilience and the importance of adapting to change. They’ve shaped me into the creative professional I am today, and I’m grateful for every lesson along the way.
Can you tell our readers more about what you do and what you think sets you apart from others?
I wear many hats in the world of content production, and I’ve developed a niche specializing in music, entertainment, and sports. My work encompasses the entire creative process, from concept to completion. This means I’m involved in every step of the journey, including brainstorming and conceptualizing projects, producing, directing, filming, and editing. Whether it’s capturing the energy of live shows, orchestrating studio productions, crafting music videos, or producing engaging social media content, I’m all in.
One aspect I’m particularly proud of is the diversity of my portfolio. I’ve had the privilege of working across various mediums, from live performances to studio sessions, music videos to social media campaigns, and even television projects.
What truly sets me apart from others is my expansive creative network. I’m fortunate to be surrounded by a close-knit group of friends who are all highly creative individuals, each with their own unique talents, whether it’s graphic design, fashion design, music production, photography, or film editing. We collaborate seamlessly and bring together a wealth of creative skills under one cohesive umbrella. This allows us to offer our clients comprehensive creative solutions, making their visions come to life in ways that stand out and leave a lasting impact.
In essence, my ability to seamlessly integrate a wide range of creative talents into my projects is what sets me apart in this industry. It’s this collaborative spirit that has been instrumental in my success, and I’m excited to continue pushing creative boundaries and delivering exceptional content.
Are there any important lessons you’ve learned that you can share with us?
The most crucial lesson I’ve learned on my journey is the importance of flexibility. In the world of content production, you truly never know what’s going to be thrown your way, and being able to adapt and pivot is absolutely essential.
I’ve had my fair share of unexpected situations, like having to stand outside in a snowstorm in a Walmart parking lot in Wisconsin, desperately trying to get a signal to upload content to Dropbox so the social media team could post a concert recap before the next show. Those moments teach you that you have to be ready for anything.
If you’re not nimble and open to change, you simply won’t survive in this industry. Technology evolves, trends come and go, and new mediums emerge constantly. Keeping up with these shifts is not just a choice; it’s a necessity. Staying flexible and agile in your approach is what allows you to not only survive but thrive in the dynamic world of content production. It’s a lesson that has served me well, and I continue to embrace it as I move forward in my career.
Contact Info:
- Website: www.shotbyjp.net
- Instagram: @shotbyjp_
