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Conversations with Simone Feroci

Today we’d like to introduce you to Simone Feroci. 

Hi Simone, thanks for sharing your story with us. To start, maybe you can tell our readers some of your backstories.
I was born and raised in Parma, Italy. Since even at a young age, I’ve always shown an interest in music; my mum had me join the city’s choir. I’ve done some cool things with them (like singing at Pavarotti & friends 1998), then rock’n roll happened, and amongst other bands, I discovered Red Hot Chili Peppers: I fell in love with Flea’s bass lines so much that at the age of 12 I decided I’d start playing bass, and to this day I never stopped, I guess! From there to touring Europe, moving to London (Uk), and finally to the States. 

Can you talk to us a bit about the challenges and lessons you’ve learned along the way? Looking back, would you say it’s been easy or smooth in retrospect?
It’s been everything but smooth. I moved to the US in February 2020 (right before the pandemic hit), and of course, I had little to no business after, not to mention the culture shock I had to go through. 

I think what made me overcome the challenges is my stubbornness and my refusal to settle for less: even if it means hard work, it will always pay off; this is what I learned. Hard for some people to get on board with this, but hey, it’s part of the selection process when it comes to start working on a project. 

Thanks for sharing that. So, maybe next you can tell us a bit more about your work?
I am a session bass player. I’ve been, and I keep working with, both top and emerging artists. I am not famous, nor I strive to be, but I try my best to keep paying my bills with my business. A very humble approach, I know. 

As a bass player and music producer, I always strive to deliver the best for the people I work with, whether I’m supposed to play on stage or participate in studio sessions. I think discipline is paramount in a sector that very often brings musicians to the excess: not saying I’m a saint (I’m definitely not), but surely, I like to rely on my “sober” self before work. 

What would you say has been one of the most important lessons you’ve learned?
The “breakout” principle. 

One person looking at a wall is powerless: two people looking at a wall is the beginning of a breakout. It’s important, in the music business and every other endeavor, to realize whether the people we work with are pursuing the same targets as us or not. Do yourself a favor, don’t waste time with people whose objectives stray from yours. 

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Image Credits

Guthrie Melchiade
Lavinia Paolini
Lyka Gozon

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